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Upstairs|13
JAH (Judith Harvey)
Increasing Acidity/Increasing Alkalinity Culture
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(1-3) Top Left to Top Right – then – (4-6) Bottom Left to Bottom Right Edition size 2 on recycled 300GSM archival paper, using recycled inks, dimensions 38.25 x 29
Inept waste management has led to an influx of problems and stress on the Australian flora and fauna. Naturally, this negligence has led to an evolution in our scavenger birds. Heard of the the Ibis, Cockatoo, Magpie, Black Crow or Bush Turkey? Well since their early 2000s evolution they have made a home in our hearts for their ability to thrive off bin juice, like true connoisseurs of the Wheelie Bin cocktail. To this end, these multilayered Silkscreen prints have been printed using recycled ink on recycled paper.
Artist profile
I am conceptual artist. During my honours I theorised a relationship between music and fine art, the manifesto is known as 'Visual Transposition'. The theorem takes the potential of sound transposition and visualises the inherent nature of a composer’s arrangement, using music and aesthetic and colour theory. I also enjoy printing Australian flora and fauna as mimics what you might find in a pub on a Friday night, making it easy imagery for cultural parallels.
1. “Here’s to Ibie he’s true blue, He’s a pisspot through & through…” Pub Ibis 2. “Boiz R on” Wheelie Bin Ibis 3. “Bloody fair dinkum Bin Juice” Lucid Ibis 4. “Come ‘ere you bludgers, don’t you want brekky?” Woolies Sulphur-Crested Cockatoo 5. “Fuk yea, u mad cunt!” Maccas Crows, Body of Serigraphic Work,
