PROCESS.ED
Acclay, Adrienne Richards, Aislinn Ní Chonghaile, Alexandra Danalis, Angharad Evans, Anita Lever, Anke Stäcker, Beata Geyer, Carla Danelutti, Dell Walker, Elizabeth Rankin, Eric Lobbecke, Helen Dunkerley and Linda Swinfield, Isobel Johnston, Jamie Jude Smith, Jane Bodnaruk, Jerry Doherty, Kath O'Donnell, Kathie Najar, Kathryn Bird, Keely Clarke, Keorattana Luangrathrajasombat, Kirsten Drewes, Lisa McKimmie and Judith MacKenzie, Michael Sprott, Molly Wagner, Olli, Patricia Wilson-Adams, Paul Sutton, Peta Hinton, Philip Senior, Phong Le, Rachel Bolton, Shelley Bowles, Shelley O’Keefe, Steven Durbach, Sue Callanan, Sue Murray, Susana Depetris, Xavier Vieira-Nagle
Wholespace | Opens on Feb 7 until Mar 1 | Fri, Sat & Sun
PROCESS.ED brings together artists whose practices foreground process as a central component of making.
The exhibition shifts attention from finished outcomes to experimentation, iteration, constraint and transformation, revealing artistic practice as an active, evolving negotiation rather than a fixed conclusion.
The exhibition shifts attention from finished outcomes to experimentation, iteration, constraint and transformation, revealing artistic practice as an active, evolving negotiation rather than a fixed conclusion.
PROCESS.ED returns to Articulate project space in 2026 as an exhibition dedicated to the conditions and methodologies of contemporary art making. Building on previous iterations, the exhibition foregrounds process as an active, generative force, shifting focus away from resolved outcomes and towards the dynamics of how works come into being.
The exhibition brings together artists whose practices engage with process as a material, conceptual and temporal framework. Across the exhibition, process is understood not as a preliminary stage to be concealed, but as an ongoing site of inquiry, shaped by experimentation, repetition, constraint, failure and chance.
PROCESS.ED considers artistic practice as an evolving negotiation between intention and material, control and contingency. Works within the exhibition may remain open, iterative or subject to transformation over time, inviting the gallery to function as a space of testing, reflection and activation rather than final presentation alone.
By making visible the often unseen labour of making, PROCESS.ED offers audiences insight into the ways ideas are formed, challenged and reconfigured. The exhibition proposes process not as a linear progression, but as a layered and sometimes unresolved field, where meaning emerges through engagement, duration and change.
The exhibition brings together artists whose practices engage with process as a material, conceptual and temporal framework. Across the exhibition, process is understood not as a preliminary stage to be concealed, but as an ongoing site of inquiry, shaped by experimentation, repetition, constraint, failure and chance.
PROCESS.ED considers artistic practice as an evolving negotiation between intention and material, control and contingency. Works within the exhibition may remain open, iterative or subject to transformation over time, inviting the gallery to function as a space of testing, reflection and activation rather than final presentation alone.
By making visible the often unseen labour of making, PROCESS.ED offers audiences insight into the ways ideas are formed, challenged and reconfigured. The exhibition proposes process not as a linear progression, but as a layered and sometimes unresolved field, where meaning emerges through engagement, duration and change.
Opening | Sat Feb 7, 3-5pm
Opening for first group show of 2026 'PROCESS.ED', with 42 artists
