Opens on Nov 1 until Nov 23, 2025
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Keorattana Luangrathrajasombat
Hope Full
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Fabric, 140cm x 140cm, 2025
Hope Full reimagines the photographic image as something fluid and performative — a still suspended between digital motion and tactile presence. Presented as a fabric print derived from a 3D digital scene, the work extends photography into the realm of spatial and cinematic composition. It depicts a R0CK B0DY character — from my R0CK B0D1ES / World Building exhibition — gliding through a boundless blue sky on a magic carpet marked with a smiley face and the words Hope Full.
This image captures a moment of lift and belief: the R0CK B0D1ES’ emergence into being, buoyed by imagination, optimism, and play. Translating a digital render into fabric transforms the still into something that folds, moves, and catches light — its surface echoing both the open sky and the woven texture of the carpet itself.
Guided by a scenographic approach, I pose and light these R0CK B0D1ES as though directing a film, composing a portrait, or staging a performance. Each scene becomes a constructed world where gesture, light, and atmosphere coalesce. In the spirit of RE:IMAGE, Hope Full presents photography as a living image in a virtual world — one that drifts between digital and material states, embodying both weight and air, always shifting, always becoming.
This image captures a moment of lift and belief: the R0CK B0D1ES’ emergence into being, buoyed by imagination, optimism, and play. Translating a digital render into fabric transforms the still into something that folds, moves, and catches light — its surface echoing both the open sky and the woven texture of the carpet itself.
Guided by a scenographic approach, I pose and light these R0CK B0D1ES as though directing a film, composing a portrait, or staging a performance. Each scene becomes a constructed world where gesture, light, and atmosphere coalesce. In the spirit of RE:IMAGE, Hope Full presents photography as a living image in a virtual world — one that drifts between digital and material states, embodying both weight and air, always shifting, always becoming.
My art practice flows through two streams. As PANDAKERO, I work as a digital artist, designer, and animator exploring 2D, 3D, and XR environments. My practice spans still and moving images, interactive and spatial experiences, and experimental uses of sound and media.
Under my full name, Keorattana Luangrathrajasombat, I extend this practice through a more personal lens — reflecting on memory, identity, and the emotional weight carried by my R0CK B0D1ES characters and their digital worlds. Across both practices, I’m drawn to the space where the digital and physical converge, using technology, play, and storytelling to explore ideas of presence and connection.
Guided by a scenographic approach, I compose and pose digital characters as though directing a film, composing a portrait, or staging a performance — constructing worlds that feel both tangible and imagined, always shifting between material and virtual states.
Under my full name, Keorattana Luangrathrajasombat, I extend this practice through a more personal lens — reflecting on memory, identity, and the emotional weight carried by my R0CK B0D1ES characters and their digital worlds. Across both practices, I’m drawn to the space where the digital and physical converge, using technology, play, and storytelling to explore ideas of presence and connection.
Guided by a scenographic approach, I compose and pose digital characters as though directing a film, composing a portrait, or staging a performance — constructing worlds that feel both tangible and imagined, always shifting between material and virtual states.
Artist profile
Instagram | @bykeorattana
$1000
https://bykeorattana.com/
Hope Full
Fabric, 140cm x 140cm, 2025
Fabric, 140cm x 140cm, 2025
